Showing posts with label 120mm. Show all posts

Lining Ducks Up

Or should I say, ducks lining up? I haven't shot in film for about a year, and recently, I came to acquire a new (old) camera, a Zeiss Ikon Contaflex, that's gotten me excited about film again. Since shooting with this camera, I've scanned 2 rolls of film, that I'm really excited about. I have over 16 rolls of 120mm film that need to be processed, scanned, and cataloged. So aside from my regular 8-10hr job, I will continue to work on the film I have at hand.

I almost forgot, I have over 20 rolls of 35mm film that has already been scanned but still needs to be cataloged. This is my life now.

Here's a few shots from a roll I scanned recently:

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The last image of your's truly was taken by Michelle Corvino, I'm taking a photo of her with her 35mm Minolta SLR.

Camping in Leo Carrillo

The following photos were taken in 2012; I should have posted these a long time ago.

Photo of Camping in Leo Carrillo Beach Photo of Camping in Leo Carrillo Beach Photo of Camping in Leo Carrillo Beach Photo of Camping in Leo Carrillo Beach Photo of Camping in Leo Carrillo Beach Photo of Camping in Leo Carrillo Beach Photo of Camping in Leo Carrillo Beach Photo of Camping in Leo Carrillo Beach Photo of Camping in Leo Carrillo Beach Photo of Camping in Leo Carrillo Beach Photo of Camping in Leo Carrillo Beach Photo of Camping in Leo Carrillo Beach Photo of Camping in Leo Carrillo Beach Photo of Camping in Leo Carrillo Beach Photo of Camping in Leo Carrillo Beach Photo of Camping in Leo Carrillo Beach

In a Moving Transition

I've been taking a haitus on taking and processing photos lately. Its been a little tough from taking photos everyday to not taking any at all. For the past month, I've been in a moving transition and its been quite difficult to imagine taking photos right now. This time has been a good opportunity for growth in other areas and wrapping my mind around other projects. Anyway, in the meantime, here are a some random photos I've taken from the past few months.

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In a month or so, I'll get back to it, I still need to get about eight rolls of 120mm, most of which are probably going to cost a pretty penny (C-41 Process). I have a few other images that still need to be uploaded and re-scanned. My scanner isn't doing the best job at scanning color film the moment... so I probably should work on a budget for that.

In anycase, that's it for now I guess... until I can move and get everything back together.

Cheers.

Trip to Nashville

Last year I took a trip to Nashville Tennessee to see miss Laura Partain. I brought a few cameras with me and some film. But I realize that I didn't take as many pictures as I hoped.

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American Airlines

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A view from Above

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The shaky landing... the interesting thing about landing was that it was late in the afternoon when the airplane I was in had come gliding above Tennessee, however, by the time I landed it was dark.

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This is a view off Laura's street.

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This is a vase in the garage turned patio that leads to the backyard. After a few days in Nashville, we embarked on a road trip to Knoxville TN and we met this nice lady at The Waffle House:

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At Kean Coffee

Lately, I've been thinking about taking less photos and being more intentional about shooting film. I mean, film is relatively expensive and it takes time to aquire, use, process, and scan. I still carry about 2 cameras with me at all times, I just don't hold it up to my eye everyday.

The following photos were taken a month or two ago on a weekend. With the Mamiya RB67. I've been shooting Ilford FP4.

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Kat and I at the coffee shop.

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Strangers at the coffee shop. (Actually, they're married.)

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Having a camera around is always going to be fun. I'm just going to be taking less photos for now. Things in my life are moving around and I need to catch up first.

Film Palettes

Food, I love food... I think everyone loves food. Its a means to its own end, it sustains and nourishes me. It can be pretty delicious, sometimes even so delectable that I'll crave certain foods every now and again. I've known a few friends who take this fondness for food to another level, becoming somewhat a connoisseur of sorts of a particular variety of beer, coffee, burger, or what have you. I tend to ask them the most about what would be an enjoyable place to eat those particular foods. After having a meal or a drink with them and figure out relatively, what their palette preference is, I begin to build my own.

I've started the same process with film. Lately I've been shooting Fuji and Ilford trying to develop a “taste”, a palette for my film preferences. I'm still getting to know these films, this is one of them:

Fuji 400H

From the first roll of Fuji 400H I've ever used

I've heard some people describe Fuji 400H as being comparable to Kodak's Portra 400ISO. Portra is known for its pastel hues while maintaining saturation, bright highlights, clarity, grain, and ability to capture great detail. In this image, we see a structure being lit by a setting sun. It is brighter and has higher contrast values than what I would expect in Portra.

From the first roll of Fuji 400H I've ever used

In shadows, Fuji's 400H has a decent amount of detail. I love how less saturated the mid-tones can be.

From the first roll of Fuji 400H I've ever used From the first roll of Fuji 400H I've ever used From the first roll of Fuji 400H I've ever used From the first roll of Fuji 400H I've ever used From the first roll of Fuji 400H I've ever used From the first roll of Fuji 400H I've ever used From the first roll of Fuji 400H I've ever used

I think a few kids rolled these two snowballs up.

Portrait of Jason Slavin

A picture of Jason Slavin in Fullerton California.

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Echeverias

Here are a few pictures of echeverias:

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An Accident in the Neighborhood

This is another set of photos from the first roll I processed myself.

I was sitting at a coffee shop, my friends and I were telling stories when all of a sudden, a “THUMP.” The sound was startling, we all looked over. I stood up and saw a silver car with a dent in the hood. The driver's face was pale with disbelief and expressed such shock. Her eyes were wide with terror. I could only imagine what she was thinking, “did I just hit someone?!” She did.

I loaded my Mamiya RB67, took out my light meter and began taking pictures.

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Shortly after the accident, the police, fire department, and an ambulance arrived. The kid laid there with his eyes closed, unconscious. They were trying to get his attention.

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Then in a moment, his eyes opened... Sudden consciousness came upon him. “Do you know where you are? Do you know what happened? You were hit by a car...”

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Less than twenty minutes before these photos were taken, this boy was darting through the alley way. A car was slowly passing though the street, safely, approaching the stoplight. The boy darted through the alley way and was hit by the car. He bounced off the hood like a ham on a tin roof.

Eventually he was okay.